13/09/2013

THE WYRDING MODULE - SUBTEMPLE SESSION II (ICASEA 2013)


ICASEA invites you to the ebon Subtemple of The Wyrding Module for a 43 minute sono-thaumaturgic ritual. A potent psychotropic miasma of stygian drones, hypnotic rhythms and eldritch sonic matter summoned from the nighted gulfs of the outer void..

Casette is available from ICASEA bandcamp or Norman Records.
Digital versions are available on the bandcamp site.
The Casette is limited to 50 copies.

Available from :
http://icasea.bandcamp.com/album/subtemple-session-ii
http://www.normanrecords.com/records/142901-the-wyrding-module-subtemple-sessio

THE WYRDING MODULE - 'SUBTEMPLE SESSION II' (ICASEA 2013)

http://icasea.bandcamp.com/album/subtemple-session-ii
cassette x 50 - 13.09.13
digital x ∞ - 27.09.13

15/02/2013

Scald Rougish - Bytreqw (ICASEA 2013)

14/02/2013

SCALD ROUGISH "BYTREQW" (ICASEA 2013)


aka Chris Douglas (DALGLISH, OST ...)
available friday 15/2/2013
ltd 150 copies

17/08/2012

SCALD ROUGISH - BnS - DIGITAL EP / T-SHIRT

Limited Edition T-Shirt and Digital EP Set.

4 Tracks from Scald Rougish, aka Chris Douglas (OST, Dalglish)

To purchase the BNS digital ep separately from this set, please go to amhain.bandcamp.com to purchase direct from the artist.

T-Shirt Designed by Satoshi Aizawa.

03/06/2012

∆ICASEA SELECT 029 | FITZ AMBRO$E | JSYN MIX [2012]


∆ICASEA SELECT 029

FITZ AMBRO$E / JSYN MIX


Featuring:
/ dtcpu - relax in a hurry
/ repeat pattern - bbb
/ madlib & planet asia - street clothes
/ green butter - cruise early
/ rlp - j4j
/ fitzambro$e - izout
/ fluent - shit is real(mic geronimo)
/ knowledge - medikatdminits
/ ohbliv - takemeoh
/ budamunk - seven mcs(ft. meccagodzilla, emajae, soup, a-live, cavalier, ness, conscious)
/ fitzambro$e - htwn
/ fitzambro$e - champz(ghost)
/ gradis nice - clientele kids(rae)
/ action bronson - suede(ft. meyhem lauren, shaz illyork, fonda, machine)
/ sir froderick - onmymind pt.2
/ dibia$e - dust down under
/ fitzambro$e - fht
/ oyg - bellows
Artist: FITZ AMBRO$E
Location: JP
Date: 2012
LINK

26/03/2012

IT003 - POBORSK - WAITING FOR JUNIOR [2012]


IT004 - CYGNUS - CYBERCITY Z-RO [2012]



04/12/2011

Morton Subotnick Lecture (2011)

Lecture: Morton Subotnick (Madrid 2011) from Red Bull Music Academy on Vimeo.


Morton Subotnick
New York

Back in 1963 when synthesizers and electronic music were strictly the refuge of academic professors, Morton Subotnick played Don Buchla's Music Box on his experimental album 'Silver Apples Of The Moon', and put electronic music firmly in the imagination of the public. The grandfather of electronic music and his non-traditional approach to pitch and timbre has been influencing sound design and installations ever since.

21/11/2011

Pattern Compulsions #6 – Dalglish - via Cyrk (2011)

Pattern Compulsions #6 - Dalglish by Cyrk-Pattern Compulsions
The sixth show in the Cyrk series ‘Pattern Compulsions’ curated for Resonance 104.4FM, is an exclusive mix by Dalglish..

Born 1974 in Edinburgh. Chris Douglas – aka O.S.T. / Rook Vallard / Dalglish grew up in San Francisco and began studying piano at age 8. Released first EP on Detroit based Switch Records in 1992. Founded Qlipothic Records in 1996. He has created a large body of work, a highly textured and confrontational take on traditional forms of electronic dance music.

With initial releases and early formative years spent in Detroit and San Francisco, he acquired several high profile fans such as Autechre who had him support their 2001 ‘Confield’ tour of North America, then later brought him to Europe to play their curated ATP festival, where he has remained since.

The digital only version of ‘Benacah Drann Deachd’, his latest release has been receiving some of his most eager reception to date, with a full page review in the June issue of the Wire:

“Chris Douglas haunts his own music. A nomad and something of a loner, he has rattled around the electronic music network like a busted component for the last decade and a half [...] It’s appropriate, because his music is one of the most striking evocations of the life of the mind that you’re ever likely to hear. The music is substantially live, improvised within a loose framework, and the shifting layers of grey-green tone, fractured samples and nervous tics that whip around the stereo field obsessively tease out new geometries and shapes ..” Derek Walmsley, The Wire

 
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