Showing posts with label macba. Show all posts
Showing posts with label macba. Show all posts

22/09/2010

COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.2





Exclusives
21.09.2010 (51' 59'')

Each episode of this series is followed by a accompaniment programme of exclusive music by some of the leading sound artists and composers working in generative music. The first one presents two contrasting generative works by German artist Florian Hecker and Japanese artist Ryoji Ikeda.

01:37 Florian Hecker 'Stereo F.A.N.N.', 2010 (30 min 2 s)

32:36 Ryoji Ikeda 'untitled (for John Cage)', 2005 (19:23 min)

PODCAST
http://rwm.macba.cat/api/en/single_podcast/739.xml


19/08/2010

COMPONENT AMB PROCESSOS: PERSPECTIVES SOBRE MÚSICA GENERATIVA I DE SISTEMES #1

A càrrec de Mark Fell i Joe Gilmore. Narrat per Connie Treanor.

"Continu" investiga com la música pot ser generada mitjançant un ampli rang de tècniques. Aquestes van des de sistemes de procediments simples, com és el cas de "Twin Bleebs" de Mika Vainio, en la qual la constant repetició de dos esdeveniments produeix un continu desfasament, fins a "Neural Synthesis No.9" de David Tudor –un sistema electrònic més complex que explora la indeterminació a través de l'emulació d’activitat neuronal. El programa repassa també exemples de música composta mitjançant regles matemàtiques o geomètriques formals, com "Studie 18" de Martin Neukom o "27 Fibonacci Numbers in a Binary Chain" de Thomas Brinkmann.

http://rwm.macba.cat/ca/recerca?id_capsula=709



COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1

"Continue"

Curated by Mark Fell and Joe Gilmore. Narrated by Connie Treanor.

'Continue' investigates how music can be generated using a wide range of techniques. These range from very simple procedural systems, such as Mika Vainio's 'Twin Bleebs' which features two repeating events going in and out of phase, to David Tudor's 'Neural Synthesis No.9' – a more complex electronic system which explores indeterminacy through the emulation of neural activity. The programme also looks at music which has been composed using formal geometric and mathematical rules, for example: Martin Neukom's 'Studie 18' and Thomas Brinkmann's '27 Fibonacci Numbers in a Binary Chain'.

PODCAST
 
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